Design and production management of a full-museum wayfinding system to help visitors navigate the various spaces. The system needed to be permanent but allow for information to be changed cheaply and easily.

Design and production management of a full-museum wayfinding system to help visitors navigate the various spaces. The system needed to be permanent but allow for information to be changed cheaply and easily.

Design and production management of a full-museum wayfinding system to help visitors navigate the various spaces. The system needed to be permanent but allow for information to be changed cheaply and easily.

Design and production management of a full-museum wayfinding system to help visitors navigate the various spaces. The system needed to be permanent but allow for information to be changed cheaply and easily.

Design and production management of a full-museum wayfinding system to help visitors navigate the various spaces. The system needed to be permanent but allow for information to be changed cheaply and easily.

Design and production management of a full-museum wayfinding system to help visitors navigate the various spaces. The system needed to be permanent but allow for information to be changed cheaply and easily.

Design and production management of a donor recognition installation. Each of the 150 years that Wellington had been capital city of New Zealand were available for purchase in exchange for the donor's name on the wall. The solution needed allow for all 150 years and be economical and easy to add to, as well as create a sense of arrival to the entrance to the museum's newest exhibition space – like a visual drum roll. The result is a fusion of the museum's brand and wayfinding system and the richly magical interior the visitor enters after this gantryway.

Design and production management of a donor recognition installation. Each of the 150 years that Wellington had been capital city of New Zealand were available for purchase in exchange for the donor's name on the wall. The solution needed allow for all 150 years and be economical and easy to add to, as well as create a sense of arrival to the entrance to the museum's newest exhibition space – like a visual drum roll. The result is a fusion of the museum's brand and wayfinding system and the richly magical interior the visitor enters after this gantryway.

Design and production management of a donor recognition installation. Each of the 150 years that Wellington had been capital city of New Zealand were available for purchase in exchange for the donor's name on the wall. The solution needed allow for all 150 years and be economical and easy to add to, as well as create a sense of arrival to the entrance to the museum's newest exhibition space – like a visual drum roll. The result is a fusion of the museum's brand and wayfinding system and the richly magical interior the visitor enters after this gantryway.

Design and production management of a complete exhibition at the National Library of New Zealand. The exhibition was on innovation in New Zealand and included no physical historical artefacts, meaning that a timeline could be represented in two dimensions (through photography and text) and current innovations could be represented with photography, text and objects that didn't need to be behind glass. The subject allowed design to be bold, playful and clear. I enjoyed working with material, dimension, colour, shape, line, typography and photography to create a powerful representation of a dynamic subject. 

Design and production management of a complete exhibition at the National Library of New Zealand. The exhibition was on innovation in New Zealand and included no physical historical artefacts, meaning that a timeline could be represented in two dimensions (through photography and text) and current innovations could be represented with photography, text and objects that didn't need to be behind glass. The subject allowed design to be bold, playful and clear. I enjoyed working with material, dimension, colour, shape, line, typography and photography to create a powerful representation of a dynamic subject. 

Design and production management of a complete exhibition at the National Library of New Zealand. The exhibition was on innovation in New Zealand and included no physical historical artefacts, meaning that a timeline could be represented in two dimensions (through photography and text) and current innovations could be represented with photography, text and objects that didn't need to be behind glass. The subject allowed design to be bold, playful and clear. I enjoyed working with material, dimension, colour, shape, line, typography and photography to create a powerful representation of a dynamic subject. 

Design and production management of a complete exhibition at the National Library of New Zealand. The exhibition was on innovation in New Zealand and included no physical historical artefacts, meaning that a timeline could be represented in two dimensions (through photography and text) and current innovations could be represented with photography, text and objects that didn't need to be behind glass. The subject allowed design to be bold, playful and clear. I enjoyed working with material, dimension, colour, shape, line, typography and photography to create a powerful representation of a dynamic subject. 

Design and production management of a complete exhibition at the National Library of New Zealand. The exhibition was on innovation in New Zealand and included no physical historical artefacts, meaning that a timeline could be represented in two dimensions (through photography and text) and current innovations could be represented with photography, text and objects that didn't need to be behind glass. The subject allowed design to be bold, playful and clear. I enjoyed working with material, dimension, colour, shape, line, typography and photography to create a powerful representation of a dynamic subject. 

Design and production management of a complete exhibition at the National Library of New Zealand. The exhibition was on innovation in New Zealand and included no physical historical artefacts, meaning that a timeline could be represented in two dimensions (through photography and text) and current innovations could be represented with photography, text and objects that didn't need to be behind glass. The subject allowed design to be bold, playful and clear. I enjoyed working with material, dimension, colour, shape, line, typography and photography to create a powerful representation of a dynamic subject. 

Design and production management of a wayfinding system for Amesbury School, including signage for buildings, learning areas and rooms, as well as a decorative welcome at reception.

Design and production management of a wayfinding system for Amesbury School, including signage for buildings, learning areas and rooms, as well as a decorative welcome at reception.

Design and production management of a wayfinding system for Amesbury School, including signage for buildings, learning areas and rooms, as well as a decorative welcome at reception.

Design and production management of a wayfinding system for Amesbury School, including signage for buildings, learning areas and rooms, as well as a decorative welcome at reception.

Design and production management of a wayfinding system for Amesbury School, including signage for buildings, learning areas and rooms, as well as a decorative welcome at reception.